Blackmagic Design URSA 4K Digital Cinema Camera (Canon EF Mount)

    • 3840 x 2160p Global Shutter CMOS Sensor
    • 12 Stops of Dynamic Range
    • 10.1", 1080p Flip-Out LCD Screen
    • Dual 5" Touchscreens for Menu Access
    • Records CinemaDNG RAW and ProRes
    • 12G-SDI Output for 10-Bit 4:2:2 4K
    • 2x XLR Audio Inputs with Phantom Power
    • Aluminum Frame with 3/8"-16 Mounting
    • LANC Port for START/STOP, Iris, Focus
    • Dual CFast 2.0 Card Slots

    The URSA 4K Digital Cinema Camera with active EF Mount from Blackmagic Design features a form factor that is designed to make it flexible enough to use on productions of all sizes. From a single operator all the way up to a full camera crew. At the heart of the imaging system, URSA features a 3840 x 2160 resolution, global shutter CMOS sensor with 12 stops of dynamic range. The camera records and outputs in the 2160p format, a 16:9 standard with precisely four times the resolution of 1080p, often referred to as UltraHD.

    Internally, URSA can record in the two formats. The first is 12-bit CinemaDNG RAW, a losslessly compressed RAW codec designed to give you the greatest latitude for image manipulation in post production. The second is Apple ProRes 422 (HQ), a debayered codec for easier playback and editing in a wide range of video editing applications. Additionally, ProRes also requires less storage space for extended recording times. Video is recorded to CFast 2.0 memory cards, and the camera features two slots allowing you to hot swap media for continuous, uninterrupted recording.

    URSA features a 10.1", 1080p resolution flip-out LCD screen so that you won't necessarily need an on-camera monitor. Additionally, there are two 5" capacitive touchscreens, one on either side of the body. These allow you to access the menu system and can display data such as timecode and audio waveforms.

    So you can edit and color correct your footage, especially footage shot in the CinemaDNG RAW format, URSA includes DaVinci Resolve software dongle for OS X and Windows.

    Supports Diverse User Groups
    From solo camera operator up to full-scale productions. When used on jobs with a large crew, you can easily dress the camera with high quality cinema lenses, rods, follow focus, matte box, and more. If you're shooting solo, then the large fold out on-set monitor, built in scopes, and internal recorder means you don't need any extra on-set equipment because it's all built into the camera
    Design By Department
    Each area of the camera has been divided into separate camera operator, camera assistant, and audio engineer work stations. The camera operator station features a large 10" fold out on-set monitor and separate 5 inch screen for settings, camera status, and scopes. The camera assist station features a separate screen for camera settings, status, and scopes. Finally, the audio station features audio meters, controls, and audio connections
    Professional Design and Aluminum Construction
    URSA features an active cooling system with low noise fan that allows it to achieve higher frame rates for longer while keeping the chassis cool. The machined aluminum design is built to incredibly robust and has been engineered with the possibility it will be handled by lots of people in mind
    Super 35-Sized Global Shutter CMOS Sensor
    The 4K resolution sensor uses a global shutter so that it will be free from the motion artifacts and flash banding experienced with rolling shutter sensors. It features a wide, 12 stop dynamic range to help ensure detail is retained even in the shadow and highlight portions of the image and to provide more information to work with in color correction. The sensor size makes it possible to recreate the shallow depth of field look popularly associated with film. At this size it is slightly larger than the APS-C DSLR format and will accommodate most lenses that cover an APS-C image circle
    Dual CFast 2.0 Card Slots
    With two cards slots, it is possible to keep recording indefinitely. Simply switch over to a fresh card in the second slot and then remote the first to offload to a computer or storage device. By using CFast 2.0 media it is possible to record even at the high bitrates demanded by RAW capture without dropping frames
    Built-In Scopes
    URSA features scopes for exposure, focus, and audio levels. And there is a dedicated screen for camera assistants so they can check and update camera parameters independently of the camera operator
    Field Upgradable Sensor
    The URSA features a modular camera turret that can be removed by taking out four bolts. The camera turret includes the sensor, lens mount, and lens control connections and can be upgraded in the future when new types of sensors are developed
    Broadcast Connections
    Standard BNC connectors mean you don't need to worry about custom or proprietary cabling solutions. URSA features a 12G-SDI output that can be down converted to HD or used directly for full Ultra HD 4K quality. There's also a 12G-SDI input that can display return video on the 10" LCD when covering live events or working with external video sources. A separate SDI output that outputs 1080p only is available for attaching EVFs and monitors. For audio, there are two XLR inputs with +48 V phantom power. You also get timecode in and out to help synchronize with other cameras or separate audio recorders
    LANC Port
    A LANC is provided on a 2.5 mm sub mini connector. It allows you to control record START/STOP, iris, and focus
    Supports Standard Battery Plates
    Your choice of Gold Mount or V-Mount battery plates can be attached directly to the back of the camera. Alternatively, there is a 4-pin XLR input so you can use a power supply or other DC power source. The URSA also features a 4-pin XLR power output so you can power a camera mounted 12V accessory without needing an additional battery
    Lots of Mounting Points
    The top of the camera features a number of 3/8"-16 tapped holes so you can attach articulating arms and other mounting accessories. There are also 1/4"-20 holes along the top of the removable handle. In addition, there is a mount for 15mm LWS-spaced rods built-in to the bottom of the camera. By adding a pair of standard 15mm rods you can add accessories such as follow focus and matte box. A V-lock delta interface allows the camera to be attached to tripods using an ENG-style quick release system such as the VCT-14
    Software Included
    • DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows
    • Blackmagic Media Express software
    • Blackmagic Disk Speed Test
    Size 21.12 x 11.88 mm (Super35)
    Lens Mount Active Canon EF Mount
    Effective Resolution 3840 x 2160 (UltraHD 4K)
    Dynamic Range 12 stops
    Shooting Resolutions 3840 x 2160, 1920 x 1080
    Supported Frame Rates 30 fps in RAW
    80 fps in RAW 3:1
    80 fps in ProRes HD or ProRes UHD
    Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported
    Dimensions 1 x 10.1" diagonal
    2 x 5" diagonal
    Screen Type 10.1": TFT-LCD
    5": Integrated LCD capacitive touchscreen
    Resolution 10.1": 1920 x 1080
    5": 800 x 480
    Media Card Slots 2 x CFast 2.0
    Recording Formats Lossless CinemaDNG RAW and RAW 3:1 with film dynamic range at 4000 x 2160. Apple ProRes 444, ProRes 422 HQ, 422, 422 LT and 422 Proxy at 3840 x 2160 and 1920 x 1080 with either film or video dynamic range
    Data Rates 1320 Mbps using Apple ProRes 444 at 3840 x 2160
    880 Mbps using Apple ProRes 422 HQ at 3840 x 2160
    589 Mbps using Apple ProRes 422 at 3840 x 2160 
    410 Mbps using Apple ProRes 422 LT at 3840 x 2160 
    182 Mbps using Apple ProRes 422 Proxy at 3840 x 2160 
    330 Mbps using Apple ProRes 444 at 1920 x 1080
    220 Mbps using Apple ProRes 422 HQ at 1920 x 1080
    147 Mbps using Apple ProRes 422 at 1920 x 1080 
    102 Mbps using Apple ProRes 422 LT at 1920 x 1080 
    45 Mbps using Apple ProRes 422 Proxy at 1920 x 1080 

    Approx 265 MB/s using CinemaDNG RAW at 4000 x 2160 
    Approx 125 MB/s using CinemaDNG RAW 3:1 

    Note: Storage rates calculated at 30 frames per second
    Metadata Support Automatic camera data and user data such as shot number, filenames, and keywords
    Output 1 x 12G-SDI -- 10-bit 4:2:2
    1 x 3G-SDI -- down-converted signal for monitoring
    Input 1 x 12G-SDI
    Reference 1 x Reference input
    Timecode 1 x Timecode input
    1 x Timecode output
    Analog Audio Inputs 2 x XLR -- selected mic/line level and +48 V phantom power
    Analog Audio Output 1 x 1/4" TRS -- for headphone monitoring
    SDI Audio Output 2-channel via SDI output
    Remote Control 1 x LANC on 2.5 mm sub-mini -- controls record START/STOP, iris, and focus
    USB 1 x USB 2.0 mini type B for software updates
    Supported Standards SDI Compliance: SMPTE 292M
    SDI Audio Sampling: 48 kHz and 24-bit
    Microphone Integrated mono microphone
    Speaker Integrated mono microphone
    Controls Touch screen menus on 5" screen; push button controls for navigating menus
    Mounting Options Multiple 1/4"-20 UNC thread mounting on top of camera and on handle bar; multiple 3/8"-16 UNC thread on top of camera body; rosette on bottom 
    Integrated rod mounts compatible with 15mm Light Weight Support (LWS) standard
    System Requirements For DaVinci Resolve: Windows 7 or later or OS X 10.8 or later

    Note: See Blackmagic website for detailed system requirements and configuration guides.
    Power Connectors 1 x 4-pin XLR input for external power supply or battery
    1 x 12 VDC output on 4-pin XLR to power accessories
    Battery Plate Support Mounting holes for V-mount and Gold Mount battery plates
    Operating Temperature 32 to 104°F (0 to 40°C)
    Storage Temperature -4 to 113°F (-20 to 45°C)
    Humidity 0 to 90% RH, non-condensing
    Dimensions 12.3 x 6.1 x 9.6 (31.2 x 15.5 x 24.4 cm)
    Weight 16.52 lb

    Get in touch

    • Media Links HEAD OFFICE
    • Room # M-1, Mezzanine Floor
      Business Arcade, Main Shahrah-e-Faisal
      P.E.C.H.S. Block # 6, Karachi- Pakistan
      Tel: (+92-21) 34385038-39
      Fax: (+92-21)34390630
    • Media Links ISLAMABAD
    • Office # 31, Sprint Floor, Aries Towers, Near Maryam Shadi Hall
      Maain Muree Road Rawalpindi- Pakistan
      Tel: (+92-51) 4575287-88
      Fax: (+92-51) 8311191
    • Media Links LAHORE
    • First floor Plaza #7
      Cavalry Ground
      Lahore-Cantt, Pakistan
      Tel: (+92-42) 36610212 & 36673148
      Fax: (+92-42) 36673149
    • Media Links SADDAR KARACHI
    • SHOP NO 25
      ELahi Centre Preedy Street
      Saddar, Karachi, Pakistan
      Tel: 021-32752512
      Fax: (+92-42) 36673149

    Copyright © Media Links 2015. All rights reserved.